From the exhibition
Street & Smith's New York Weekly
· September 3, 1868

A woodcut illustration dominates this penny weekly's cover: two men in Victorian dress confront a woman in an interior room, their poses suggesting confrontation or revelation. The sensational serialized stories within—with headlines advertising crime, mystery, and melodrama—represent the cheap fiction that sustained working-class Victorian readers. Published by Street & Smith, a prolific New York house, these weeklies cost a penny or two and offered installments designed to hook readers week after week. Crude woodcuts, urgent typography, and plots heavy with murder, betrayal, and moral crisis created the template that would eventually evolve into comic books: episodic narratives, visual drama, and content aimed at those excluded from "respectable" literature.
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