'Are you ready, Eleanore?'

Gibson's pen-and-ink illustration for Richard Harding Davis's short-story collection *Van Bibber and Others* stages a charged domestic moment between two women in evening dress. At left, Eleanore sits slumped on a low bench, head bowed, her gown pooling around her—posture suggesting reluctance, grief, or fatigue. At right, the speaker stands erect near an ornate folding screen, glancing down at something in her hands, her bearing brisk and composed. A framed picture occupies the back wall. The caption—*'Are you ready, Eleanore?' she asked, briskly*—encodes the social pressure Davis's fiction habitually applies: the composed woman of the world moving the hesitant one toward a drawing-room obligation neither may welcome. No ethnic caricature is present; the satire is entirely one of class expectation and female performance.