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From the exhibition

Captain Whiffle's Swoon: A Scene from Roderick Random

http://data.europeana.eu/agent/62353 · 1793, etching by Thomas Rowlandson after his own design, illustrating Tobias Smollett's novel (1748)

Captain Whiffle's Swoon: A Scene from Roderick Random
Rowlandson's etching renders a comic crisis from Smollett's picaresque novel: the effete Captain Whiffle, collapsed limp across his attendants' arms, is fanned and dosed with smelling salts by his fussing entourage after the rough Welsh surgeon's mate Morgan has offended his delicate sensibilities. The scene divides neatly between Whiffle's mincing court — drawn with the mincing, over-refined features Rowlandson reserved for aristocratic pretension — and the coarser, broader figures of the naval ranks. That class contrast is the joke, and it is deployed without apology. The image belongs to the golden age of English print satire (Hogarth, Gillray, Rowlandson's own vast output) whose sequential storytelling logic, character 'types,' speech-adjacent gesture, and cheap wide distribution fed directly into the newspaper comic strip and eventually the comic book.

Public domain, restored and presented by comicbooks.com http://creativecommons.org/licenses/by/4.0/