Drie onder één deken (Three Under One Blanket)

This wood engraving from a Dutch periodical satirizes Italian unification through domestic comedy. Two figures share a bed beneath a canopied frame while their discarded boots litter the floor—a visual pun on political "bedfellows" and uncomfortable alliances. The print belongs to the 19th-century tradition of political satire inherited from Gillray and Rowlandson, adapted by German and Dutch publishers into serialized *Bilderbogen* (picture-sheets) and periodicals. Such prints reached mass audiences through woodblock reproduction, establishing visual language later adopted by comic strips: sequential narrative, caricatured figures, and domestic scenes encoding political commentary. The intimate setting transforms abstract political union into a crude joke about forced partnership, reflecting popular skepticism toward consolidation movements.