Monk with a Fox as Stole

This copper engraving depicts a rotund monk wearing a fox draped across his shoulders like clerical vestments—a visual pun on *stola*, the liturgical garment. The figure's grasping posture and exaggerated features target religious hypocrisy and greed, common subjects in Northern European satirical prints. The work exemplifies early 18th-century print satire's merger of wordplay with caricature. Following traditions established by Hogarth and preceding Gillray, such engravings used distortion and symbolic absurdity to mock clergy, nobility, and vice. The medium—fine-line copper engraving with crosshatching—allowed precise social commentary accessible to educated viewers, establishing visual satire as a tool for moral and political critique that would eventually feed into modern cartooning and comic art traditions.