From the exhibition
De dans van de dood (The Dance of Death)
Rowlandson, Thomas · Thomas Rowlandson, 1814. Hand-colored etching, published by R. Ackermann, Strand, London.

A skeletal Death, rendered with Rowlandson's characteristic loose, fluid line, seizes a well-dressed gentleman by the shoulder while a catchpole—a debt-arresting officer—grabs the man from the other side. Two alarmed women recoil at left; a stooped figure and small dog occupy the right. The caption reads: *The Catchpole need not fear a jail, / The Undertaker is his Bail.* The target is debt and mortality as twin enforcers against the middling classes. Hand-colored aquatint etching gave Rowlandson's work its warm, theatrical immediacy. His serial *Dance of Death* plates—narrative, sequential, one moral joke per image—sit directly in the lineage running from Hogarth's story-sequences through the French *canard* broadsides to the numbered comic strip panel itself.
Public domain, restored and presented by comicbooks.com http://creativecommons.org/publicdomain/mark/1.0/